Rating: ★ ★ ☆ ☆ ☆
Date read: May 08 to 16, 2013
Read count: 1
As a stand-alone, this story has one too many open endings. Probably Sanderson’s way of securing a way to turn it into a series, if readers’ response turned out to be favorable, that is. I see what you did there… and continue to do in later books.
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* * * * spoilers * * * *
I’ve always found Sanderson’s interpretation of magic and religion fascinating and that’s the only thing that kept me pushing on to the end. I don’t know what it is about this book that just didn’t click with me, so I’ll attempt to work out some thoughts here. It might have to do with the uneven pacing and one-dimensional characters, with the exception of a certain gyorn.
Elantris is a city of magic, living gods, and very few logical explanations. The city is literally made of magic. Then one day it fell apart, the gods lost their powers and became cursed, and yet no one could figure out what happened or how to restore the magic. Elantrians are a people who kept a record of everything that ever happened in the world and no one thought to consider the giant rift in the land to be the cause?
Sanderson’s settings are often disordered, both physciallyand politically. Elantris, following the fall, is left in various states of decay, sectioned off from the rest of the land, and covered in slime. The physical descriptions are vivid and quite disgusting, and the events happening within the fallen city, to me, are possibly the most interesting part of the story. Raoden’s attempts to restore life to the post-apocalytpic dystopian society is admirable. Like a true Sandersonian hero, he does things for the good of the people. That he succeeds in pulling the population together in just a few weeks is… I don’t buy it.
One of the few shortcomings of the writing is that the characters are presented as either “good” or “evil”; only one ambiguous character straddles the line, Hrathen. But he thinks he’s working for the good of the world and saving people’s souls while preventing a hostile takeover that could lead to bloodshed. So technically he’s “good.” Sort of. Maybe..
The magic system is one of the most interesting I’ve ever read. It may not seem like much at first, what with drawing signs or glyphs in the air and pushing at them to activate, but when you get to the big reveal near the end, it connects all the missing pieces of the Elantrian mystery in an unexpected way. Unexpected, but not unbelievable. Although I would have liked more of an explanation than “the aons are part of the land and that is why the magic works.” So what is so special about the land that makes the magic work?
The religious aspect of the story is quite convoluted and is responsible for many of the info-dumps, I think, which drags the story down. We only get vague explanations of why Fjordell is such a war-mongering country intent on converting the world to its religion. According to Sarene, converting to and living under the Shu Dereth religion of Fjordell is one of the worst things ever, but that’s only stated, not explained or shown. It’s also stated that Sarene’s homeland is one of the best free cities in existence; again, only stated, not shown.
As for plot twists, they’re really good, but I got the feeling that some of them were thrown in to throw the reader off track, which a few of them succeeded, like the whole Dilaf thing and the real reason for his hatred of Elantrians.
Lastly, it was hard for me to read this story without seeing it as Sanderson’s springboard for Mistborn. The similarities between the two series’ main characters are striking; Raodan and Elend Venture, Galladon and Sazed, Hrathen and Kelsier. Political strife and overthrowing corrupt governments are recurring themes in every Sanderson book I’ve read. They’re finely tuned in Mistborn, but they flounder a bit in this book.